I have visited this theme before, and I will probably do it again, because the hypocrisy and/or ignorance involved here is simply unforgiveable, and because I need to stake out my position more clearly on the matter.
The August 27 dual event consisting of the premier of the 40-minute documentary “Syria: A Fire Within” and the official book launch of Ammar Abdulhamid’s “The Irreverent Activist” was so well-received that plans for repeat performances are already underway, and will be announced shortly. Meanwhile, we publish more photos from the event provided to us courtesy of Ross Stansfield, the gentle soul responsible for lighting in “A Fire Within.”
Amid the flurry of really wonderful documentaries about Syria and the Syrian revolution that are emerging these days, this one might represent a more modest effort in this regard, and might seems a bit dated now since it was mostly filmed in the summer of 2012. Still, since the focus here is to trace the roots of the Syrian revolution and its transformation into an armed struggle, and to showcase the betrayal of the nonviolent liberal prodemocracy activists that led the early protests throughout the country by the leaders of the free world, the subject matter maintains certain relevance and seems to distinguish this effort from other works.
NO. HAMAS FATHERS DON’T FIGHT WITH THEIR CHILDREN IN THEIR LAPS, AND PROLIFERATING AIR STRIKES IN PROLONGED CONFLICTS ARE RARELY “TARGETED.”
Writing for Tablet Magazine, Lee Smith makes some valid points. Indeed, photographers operating in Gaza do not seem to have enough freedom of movement to allow them to present a more accurate picture of what is happening on the ground during these tragic times. In fact, international photographers and journalists working in Gaza have as much freedom to move as their colleagues working in those parts of Syria still under Assad control. The see what their appointed “guides” and “fixers” want them to see. And they cannot report everything they see, if they still want to retain “access.” This is a perennial dilemma that confronts all journalists and photographers working in war zones.